WRITING

​I’m a writer of longform and medium-length nonfiction, exploring identity (race, queer, gender and migrant issues), film and TV, screen and pop culture, dance, arts criticism, the creative industries, philosophy, mental health, linguistics, literature and education, as well as the many intersections between these fields.

I also write poetry—mostly about love, desire, language and distance—and, sporadically, bite-size ramen reviews via my Instagram hashtag #ratetheramen.

My essays, criticism, features, interviews and poems have appeared in Meanjin, Right Now, Screen Education, Eureka Street, Cordite, Liminal, Peril and The Manila Review, among others.


​Image: Meanjin vol. 78, no. 1 (read my cover essay here)

Publication highlights

​More information can be found in the comprehensive list of publication credits further down.

Screen Education #94

Right Now, 2017

Growing Up Queer in Australia (ed. Benjamin Law)

Cordite #88

The Lifted Brow, 2019

The Manila Review vol. 1, no. 5

Peril #28/29

Margaret & David: 5 Stars (ed. Amanda Duthie)

jump to:  2020  |  2019  |  2018  |  2017  |  2016  |  2015  |  2014  |  Earlier

 

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​2020

• ‘“The Show Must Go On”: Transgression and the Carnivalesque in Moulin Rouge!’, Metro (forthcoming)
• ‘Infectious Scrolling: Social Media, Mental Health and COVID-19’, Metro (forthcoming)
• ‘Baby Done’, The Big Issue (forthcoming)
• ‘2020 Vision and Optical Illusions’, Meanjin
• ‘Screens #5 — Sisterakas, Sid & Aya, Howl’s Moving Castle’, Liminal
• ‘All-Access Pass?: Film Festivals Go Viral’, Metro
• ‘The Devil All the Time’ (pitch pack), Netflix
• ‘Screens #4 — Uncle Boonmee, The Act of Killing, Dear Ex’, Liminal
• ‘Screens #3 — No Hard Feelings, Suk Suk, Wet Season (Special MIFF 68½ Edition)’, Liminal
• ‘Screens #2 — Loev, Wadjda, Yellow Is Forbidden’, Liminal
• ‘Laws of Motion: Vertigo and Virtual Performance’, MOD. Museum
• ‘Against Gay Conversion Therapy: Loving the “Sinner”’, Archer​
• ‘Screens #1 — Beastars, Parasite, The Kingmaker’, Liminal
• ‘Platforming for Community’, The Relationship Is the Project

 

​​2019

• ‘Identity Crisis: Forging a Path Forward’, The Australian Rationalist
• ‘Coming Out, Coming Home’, Growing Up Queer in Australia​
• ‘Sitting in the Movement’, The Lifted Brow
• ‘Change of Heart: Boy Erased, The Miseducation of Cameron Post and Gay Conversion Therapy’, Screen Education​
• ‘A Fetching Achievement’, Metro
• ‘Rough-rider’, wildness
• ‘A Conversation with Benjamin Law’, Liminal
• ‘Quest and Queerness: Role-Playing Identity’, Meanjin

 

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2018

• ‘Monstrous Motherhood: Summoning the Abject in The Babadook’, Screen Education

• ‘Mind’s Eye: Re-envisioning Mental Health in the Arts’, The Other Film Festival
• ‘ETA’, Cordite
• ‘Tickled Pink: Thailand Tourism Comes Out’, Archer
• ‘A Conversation with Alan Weedon’, Liminal
• ‘Adventures in Genre Down Under’, Australian Academy of Cinema and Television Arts
• ‘Here’, Scum
• ‘A Conversation with Mama Alto’, Liminal
• ‘Canon Fodder: The Polemics of Beyoncé and Kendrick Lamar’, Meanjin
• ‘Solstice 2’, Milk Crates
• ‘Pride in Programming: 25 Years of the Mardi Gras Film Festival’, ABC Mardi Gras 40th Anniversary Magazine

 

​2017

• ‘Growing Up Queer: A Filipino Perspective’, Dumbo Feather
• ‘A Conversation with Yumi Umiumare’, Liminal
• ‘Confronting Images: Suicide, Rape Culture and Responsibility in 13 Reasons Why’, Screen Education​
• ‘In the Spotlight’, Midsumma Festival
• ‘Motion’, Cordite Poetry Review
• ‘Critical Opinion Is Critical’, Margaret and David: 5 Stars 
• ‘A Conversation with Raina Peterson’, Liminal
• ‘Love in Time: Confronting Queerness in Call Me by Your Name’, Meanjin

• ‘A Conversation with Elizabeth Flux’, Liminal
• ‘Death of the Editor’, Overland
• ‘The Abstraction of Privilege’, Right Now​
• ‘“I’m a Badass Hunky Dude”: Gender, Hegemony and She’s the Man’, Screen Education
• ‘Confession’, The Suburban Review
• ‘A Conversation with Bobuq Sayed’, Liminal
• ‘Terrain’, ‘Slingshot’ and ‘Turbulence’, Peril
• ‘Container’, Mascara Literary Review 
• ‘Fingerprint’ (republished), Liminal 
• ‘Confessions of a Privileged Minority’, Right Now

 

​2016

• ​‘Queering the Airwaves for TV Diversity’, Eureka Street
• ‘Straight Talk about Toxic Homonormativity’, Right Now
• ‘Reimagining Manhood after ABC’s Man Up’, Eureka Street
• ‘Populism, Trump and the Perils of “Dutertopia”’, Right Now
• ‘Combating the Selfishness of Freedom of Expression’, Right Now
• ‘Oppression Olympics: A Game Nobody Wins’, Right Now
• ‘Discriminating Differently’, Right Now
• ‘Increasing Mental Health Visibility’, Right Now
• ‘Matters of Consequence: Growing Up with The Little Prince’, Screen Education
• ​‘Fingerprint’, ‘Constellations’ and ‘Journey’, Plaything
• ‘Setting Change in Motion (Pictures)’, Right Now (republished by the Human Rights Arts & Film Festival)
• ‘Beyond “Colourblindness” and Racebending’, Right Now
• ‘1035’, Scum

 

​2015

• ‘People of Colour and Sexuality (roundtable)’, Plaything
• ‘Power from a Different Perspective: Race, Gender and Grief in Big Hero 6’, Screen Education​
• ‘Adolfo Aranjuez Recommends Loving Absolutely and without Fear’, The Lifted Brow
• ‘Walking through the Fire: For Kat Muscat’, Writers Victoria (republished by The Wheeler Centre and Express Media)
• ‘The Legend of Korra and Minority Representation’, Screen Education
• ‘Editorially Speaking’, Melbourne Writers Festival​

 

2014

• ‘A Different Shade of Evil: Questions of Ethics in Maleficent’, Screen Education

• ‘In the Claws of the City: Manila in Film’, The Manila Review
• ‘Museums without Walls: Safeguarding Our Heritage’, Simpublica​
• Amadeo: Changing Latitudes, from ‘The Third Space’ series of novellas, Garratt Publishing

• ‘You’re “Literally” a Grammar Nazi’, Going Down Swinging​

 

See 2013 and Earlier

​2013

• ‘Surface to Air vs Sea Hearts’, Meanjin
• ‘Introduction’, Award Winning Australian Writing 2013
• ‘Internet Killed the Editing Star’, Virgule
• ‘Does This Make Sense?’, Virgule​
• ‘Know Your Roots’, Virgule
• ‘Win, Win, Nudge, Nudge: Why Enter Writing Competitions’, The Emerging Writer
• ​‘Compounded’, Virgule
• Translation and commentary, ‘Three Stories in the Life of Julian Candelabra’ (by Lualhati Bautista), The Lifted Brow
• ‘The Write and Wrong Words’, Virgule
• ‘Apostrophilia’, Virgule​

2012

• ‘“That” versus “Which” (a.k.a. Microsoft Word Keeps Adding Squiggly Green Lines)’, Virgule
• ‘Introduction’, Award Winning Australian Writing 2012
• ‘Month of Reading’, The Victorian Writer
• ‘The Seduction of the Intellect: On Truth and Poeisis’, 
  Metre Maids
• ‘The Editor Wears Prada’, Virgule
• ‘Solstice’, Geek Mook​

2011

• ‘Latitudes’, Voiceworks
• ‘Introduction’, Award Winning Australian Writing 2011
• ‘On Writing and Competitions’, Meanjin
• ‘Pyrolysis’, Hands Like Mirrors
• ​‘Splinter’, Velour Poetry Zine
• ‘Off the Mill’, Voiceworks
• ‘To A.A.B., one year later’, Apple Cart Zine

2010

• ‘Introduction’, Award Winning Australian Writing 2010
• ‘Soldier(ing)’, Voiceworks
• ‘Reading Space’, Virgule
• ‘Josephine’, Love, Loss & Intimacy
• ‘How Exquisite (Corpse)!’, Virgule

​​2009

• ‘Panopticon 2.0’, Voiceworks

• ‘Dumpster Diving’, Youth Central
• ‘I Dress, Therefore I am’, Voiceworks
• ‘Of Catwalks and Copycats’, Voiceworks
• ‘Op-Shopping: A Rough Guide’, Youth Central 

2008

• ‘A T-Shirt Named Desire’, Voiceworks
• ‘Centre Upgrade to Open’, Hobsons Bay Leader
• ‘What is This Financial Crisis Thing All About?’, Youth Central 
• ‘Power is the New Black’, Voiceworks
• ‘Boy-girls and Girl-boys’, Voiceworks
• ‘Explode’, Vibewire
• ‘The Op-Shop Pandemic’, Vibewire 
• ‘Wooden-soled Boots and a Mustard-Yellow, Sausage-Shaped Train’, Vibewire

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Image: ‘YA’ll Are Thirsty’, MWF 2019 (photo by Alexis Desaulniers-Lea)