Writing

WRITING

I’m an essayist, critic and commentator interested in identity (race, queerness and migration), screen and pop culture, technology’s impacts on the self and society, the creative industries, mental health, linguistics (English, Spanish and Tagalog), critical theory, and the intersections between these areas.

I also write poetry—mostly about love, desire, language and distance—and, very sporadically, bite-size ramen reviews via my Instagram hashtag #ratetheramen.

My work has been published widely in Australia and abroad, including in Meanjin, Right Now, Screen Education, The Big Issue, Cordite, wildness and The Manila Review, among others.

Image: Meanjin vol. 78, no. 1 (read my cover essay here)

Publication highlights

More information and hyperlinks can be found in the full list of publication credits further down.

Screen Education #94

Right Now, 2017

Growing Up Queer in Australia (ed. Benjamin Law)

Cordite #88

The Lifted Brow, 2019

Margaret & David: 5 Stars (ed. Amanda Duthie)

Peril #28/29

The Manila Review vol. 1, no. 5

jump to: 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | Earlier

2023

2022

‘Pack of Lies: Masquerades of Masculinity in Jane Campion’s The Power of the Dog’, Metro
Flee review, The Big Issue

2021

‘A Conversation with Tony Ayres’, Liminal
‘Alone on the Borderline’, The Victorian Writer
The Unusual Suspects review, The Big Issue
Scattered (38 x 60-second episodes, co-writer), TikTok, Screen Australia & Film Victoria
‘Wading in Chest-Deep: Broede Carmody’s Flat Exit’, Australian Poetry Journal
‘Moving Targets: Snapshots of Representation’, Metro
‘Screens #6 — Long Day’s Journey into Night, Shoplifters, Bulbbul’, Liminal

2020

Monsoon review, The Big Issue
‘“The Show Must Go On”: Transgression and the Carnivalesque in Moulin Rouge!’, Metro
‘Infectious Scrolling: Social Media, Mental Health and COVID-19’, Metro
Kajillionaire review, The Big Issue
Small Acts of Resistance catalogue essay, Samstag Museum of Art

Baby Done review, The Big Issue
‘2020 Vision and Optical Illusions’, Meanjin
‘Screens #5 — Sisterakas, Sid & Aya, Howl’s Moving Castle’, Liminal
‘All-Access Pass?: Film Festivals Go Viral’, Metro
The Devil All the Time pitch pack, Netflix
‘Screens #4 — Uncle Boonmee, The Act of Killing, Dear Ex’, Liminal
‘Screens #3 — No Hard Feelings, Suk Suk, Wet Season (Special MIFF 68½ Edition)’, Liminal
‘Screens #2 — Loev, Wadjda, Yellow Is Forbidden’, Liminal
‘Laws of Motion: Vertigo and Virtual Performance’, MOD. Museum
‘Against Gay Conversion Therapy: Loving the “Sinner”’, Archer
‘Screens #1 — Beastars, Parasite, The Kingmaker’, Liminal
‘Platforming for Community’, The Relationship Is the Project

2019

‘Beyond Shared Trauma: The Identity Crisis – Forging a Path Forward’, The Australian Rationalist
‘Coming Out, Coming Home’, Growing Up Queer in Australia
‘Sitting in the Movement’, The Lifted Brow
‘Change of Heart: Boy Erased, The Miseducation of Cameron Post and Gay Conversion Therapy’, Screen Education
‘A Fetching Achievement’, Metro
‘Rough-rider’, wildness
‘A Conversation with Benjamin Law’, Liminal
‘Quest and Queerness: Role-Playing Identity’, Meanjin

2018

‘Monstrous Motherhood: Summoning the Abject in The Babadook’, Screen Education

‘Mind’s Eye: Re-envisioning Mental Health in the Arts’, The Other Film Festival
‘ETA’, Cordite Poetry Review
‘Tickled Pink: Thailand Tourism Comes Out’, Archer
‘A Conversation with Alan Weedon’, Liminal
‘Adventures in Genre Down Under’, Australian Academy of Cinema and Television Arts
‘Here’, Scum
‘A Conversation with Mama Alto’, Liminal
‘Canon Fodder: The Polemics of Beyoncé and Kendrick Lamar’, Meanjin
‘Solstice 2’, Milk Crates
‘Pride in Programming: 25 Years of the Mardi Gras Film Festival’, ABC Mardi Gras 40th Anniversary Magazine

2017

‘Growing Up Queer: A Filipino Perspective’, Dumbo Feather
‘A Conversation with Yumi Umiumare’, Liminal
‘Confronting Images: Suicide, Rape Culture and Responsibility in 13 Reasons Why’, Screen Education
‘In the Spotlight’, Midsumma Festival
‘Motion’, Cordite Poetry Review
‘Critical Opinion Is Critical’, Margaret and David: 5 Stars
‘A Conversation with Raina Peterson’, Liminal
‘Love in Time: Confronting Queerness in Call Me by Your Name’, Meanjin

‘A Conversation with Elizabeth Flux’, Liminal
‘Death of the Editor’, Overland
‘The Abstraction of Privilege’, Right Now
‘“I’m a Badass Hunky Dude”: Gender, Hegemony and She’s the Man’, Screen Education
‘Confession’, The Suburban Review
‘A Conversation with Bobuq Sayed’, Liminal
‘Terrain’, ‘Slingshot’ and ‘Turbulence’, Peril
‘Container’, Mascara Literary Review
‘Fingerprint’ (republished), Liminal
‘Confessions of a Privileged Minority’, Right Now

2016

‘Queering the Airwaves for TV Diversity’, Eureka Street
‘Straight Talk about Toxic Homonormativity’, Right Now
‘Reimagining Manhood after ABC’s Man Up’, Eureka Street
‘Populism, Trump and the Perils of “Dutertopia”’, Right Now
‘Combating the Selfishness of Freedom of Expression’, Right Now
‘Oppression Olympics: A Game Nobody Wins’, Right Now
‘Discriminating Differently’, Right Now
‘Increasing Mental Health Visibility’, Right Now
‘Matters of Consequence: Growing Up with The Little Prince’, Screen Education
‘Fingerprint’, ‘Constellations’ and ‘Journey’, Plaything
‘Setting Change in Motion (Pictures)’, Right Now (republished by the Human Rights Arts & Film Festival)
‘Beyond “Colourblindness” and Racebending’, Right Now
‘1035’, Scum

See 2015 and Earlier

2015

‘People of Colour and Sexuality (roundtable)’, Plaything
‘Power from a Different Perspective: Race, Gender and Grief in Big Hero 6’, Screen Education
‘Adolfo Aranjuez Recommends Loving Absolutely and without Fear’, The Lifted Brow
‘Walking through the Fire: For Kat Muscat’, Writers Victoria (republished by The Wheeler Centre and Express Media)
‘The Legend of Korra and Minority Representation’, Screen Education
‘Editorially Speaking’, Melbourne Writers Festival